Belarusian writer and journalist Svetlana Alexievich has won the 2015 Nobel Prize for literature.
Announcing
the prize in Stockholm, the chair of the Swedish Academy, Sara Danius,
called her writing "a monument to courage and suffering in our time".
Alexievich called the award, presented to a living writer and worth 8m kronor (£691,000), "a great personal joy."
Previous winners include literary heavyweights Rudyard Kipling and Ernest Hemingway.
French
historical author Patrick Modiano won in 2014. It has been half a
century since a writer working primarily in non-fiction won the Nobel -
and Alexievich is the first journalist to win the award.
"It's not
an award for me but for our culture, for our small country, which has
been caught in a grinder throughout history," she said at a press
conference on Thursday at a local newspaper's offices in Minsk, Belarus.
Living in exile
Her
best-known works in English translation include Voices From Chernobyl,
an oral history of the 1986 nuclear catastrophe; and Boys In Zinc, a
collection of first-hand accounts from the Soviet-Afghan war. The title
refers to the zinc coffins in which the dead came home.
The book
caused controversy and outrage when it was first published in Russia,
where reviewers called it a "slanderous piece of fantasy" and part of a
"hysterical chorus of malign attacks".
Alexievich
has also been critical of her home country's government, leading to a
period of persecution - in which her telephone was bugged and she was
banned from making public appearances.
She spent 10 years in
exile from 2000, living in Italy, France, Germany and Sweden, among
other places, before moving back to Minsk.
"I love the Russian
world, but the kind, humane Russian world," she added, talking of the
country under President Vladimir Putin.
"I do not love Beria, Stalin, Putin... how low they let Russia sink."
Belarusian and Russian reaction to Alexievich prize
- "A new national leader has appeared in Belarus, She has more authority now than any politician - the president or a minister. And she's someone with normal European values" Belarusian playwright and screenwriter Andrey Kureychyk
- "It will go down in the history of the development of the Belarusian nation, society and state" Belarus foreign ministry
- "Alas, she was given the prize for her hatred towards Russia" Pro-Kremlin Russian journalist Dmitry Smirnov
- "She represents the Russian world without Putin: the world of Russian language and literature, which opposes the Russian government. The Nobel prize has given us a spiritual leader." Independent Russian journalist Oleg Kashin speaking on Ekho Moskvy radio
The author was born in 1948 in the
Ukrainian town of Ivano-Frankivsk, then known as Stanislav,to a
Belarusian father and Ukrainian mother.
The family moved to
Belarus after her father completed his military service, and Alexievich
studied journalism at the University of Minsk between 1967 and 1972.
After graduation, she worked as a journalist for several years before publishing her first book, War's Unwomanly Face, in 1985.
On her personal website, Alexievich explains her pursuit of journalism: "I chose a genre where human voices speak for themselves."
Alexievich has previously won the Swedish PEN prize for her "courage and dignity as a writer".
Ms Danius said the author had spent nearly 40 years studying the people of the former Soviet Union, but that her work was not only about history but "something eternal, a glimpse of eternity".
"By means of her extraordinary method - a carefully composed collage of human voices - Alexievich deepens our comprehension of an entire era," the Swedish Academy added.
Alexievich was the bookmakers' favourite to win 2015 Nobel award, according to Ladbrokes.
She beat other hot favourites Japanese novelist Haruki Murakami and Kenyan novelist Ngugi Wa Thiong'o.
She is the 14th woman to win the Nobel Prize for Literature in its history.
A total of 112 individuals have won it between 1901 and 2015. The prize was suspended several times during the first and second world wars.
Based
on interviews with hundreds of women who participated in the World War
Two, it set a template for her future works, constructing narratives
from witnesses to some the world's most devastating events.
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